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Streaming Some Like It Hot Online. Movie Title: Some Like It Hot Average customer review: Some Like It Hot is available for streaming or downloading. Click Here to Stream or Download Some Like It Hot

To factual the technical info above, this DVD (both the special edition and movie-only edition) DOES HAVE an English monophonic soundtrack that was originally extinct in the film. Also included is a Dolby Digital 5.1 track, but one wonders if a dialog-heavy film like this should really need a surround soundtrack. Dialogs in both the mono and the 5.1 tracks sound perfectly obvious and understable. The surround sound only comes into employ during the occasional music and gunfight sequences. I do applaud the inclusion of the modern mono track, which quite a few fresh DVDs of older movies do not provide in the hope of enticing recent DVD owners with 5.1 audio.

The video transfer looks grand — images are spellbinding, levels of dim sight realistic (you can clearly glance and feel the velvety texture of a dismal robe Monroe wears), signs of wear and glide are virtually non-existent. The represent aspect ratio is 1.66:1, which is not the 1:85:1 ratio veteran for the unusual US theatrical release and for all previous US letterboxed laserdisc releases. The 1.66:1 ratio adds a microscopic represent to the top, but doesn’t really affect the composition. The video is also non-anamorphic, so the resolution is not as high on a widescreen TV as it would be with an anamorphic DVD. There is also no English optional subtitles, but there are yellow optional French and Spanish ones.

I would have gladly paid a higher sign if they had included better supplementary material on the Special Edition DVD, such as the audio commentary and home movies that were set on the Criterion laserdisc made in the early 90s. The extras on the Special Edition DVD include a though-provoking but superficial 30-minute recent interview with Tony Curtis reminiscing about the film, a rather plain 12-minute interview with the actresses who played the girl band members, a segment called “Virtual Hall of Memories” that is essentially a mild gallery, and trailers of 7 Wilder films including SOME LIKE IT HOT; all the trailers are in awful video condition. The most piquant extra is a reproduction of a pressbook for the film, but the pictures are blurry and the smaller text is illegible. I am disappointed that we never bag to hear from Jack Lemmon or Billy Wilder, both unruffled alive, on this DVD. These extras are not impressive, so one may reflect buying the movie-only edition for a cheaper imprint.

Billy Wilder’s most celebrated comedy finally receives the deluxe treatment it deserves. MGM previously released this classic comedy in a nonanamorphic widescreen version a couple of years serve. While that edition looked comely decent this anamorphic transfer puts any previous editions (including my distinguished favored laserdisc edition) to shame. Wilder’s comedy operates as a spoof of gangster films and a comedy about gender roles. Jerry (the gradual Jack Lemmon) and Joe (Tony Curtis) are two musicians on the lam when they scrutinize the St. Valentine’s Day Massacre. With Spats Columobo (George Raft) and his men looking for the duo they go undercover as musicians heinous dressing and joining an all female band headed for a gig in Florida. Becoming a woman allows Joe/Josephine to spent time with Sugar (Marilyn Monroe) the latest woman that catches Joe’s appreciate. Jerry/Daphne on the other hand finds himself romanced by a rich man (Joe E. Brown) who won’t catch the hint as Jerry tries to blow off his advances.

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And you view the 50’s were tame. One of Wilder’s richest 50’s comedies “Some Like It Hot” continues to be very comical inverting our expectations constantly and playing with the roles that Jerry and Joe hold on with their novel identities. Joe’s eyes launch the most as before he was a glorious ruthless womanizer. Becoming a woman puts him in the crosshairs of every male insight and he’s on the receiving extinguish of all the smirks, comments and passes that he would have traditional with Sugar before his change. Wilder mixes social commentary so deftly with comedy (like Hitchcock’s work with suspense and social commentary) that at his best–and he’s at his best here–it reminds us how moving a movie can be without being heavy handed. It’s also filled with some safe in jokes (for example Colombo played by George Raft observes a thug flipping a coin and comments, “Where did you buy up that cheap trick? ” Raft of course did the accurate thing in one of his signature roles in “Scarface” from 1932) .

A stout movie looks even better in this enchanting looking transfer. The gloomy and white imagery of the film looks sparkling. Originally Marilyn Monroe lobbied to have the film shot in color which Billy Wilder felt wouldn’t work for this comedy (he persuaded her to agree to shoot in unlit and white when he showed her execute up tests for Jack Lemmon and Tony Curtis in color where their produce up as women made them survey slightly green) while the film certainly would have looked enormous in color the sumptuous cinematography by Charles Lang (”The Lovely Seven”, “Wait Until Shaded”) looks extremely apt in this fabulous looking transfer. Detail is quite noble and blacks are solid with a nice array of different textures evident in the transfer. Audio is presented in the unique mono and sounds attractive.

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For those that are into such things the special features here are a mammoth improvement over the previous edition. We obtain a commentary track compiled from comments by the unhurried Jack Lemmon, Tony Curtis and I.A.L. Diamond’s son (working with the comedy writers Lowell Ganz and Babaloo Mandel–honestly I could have conception of better writers to pair with Diamond’s son) . While the insights aren’t exactly a revelation it is an delicious commentary track.

We also acquire two terrific documentaries on the making of the film. The first features a mixture of original and older interviews from the cast and crew. The second documentary “The Legacy of `Some Like it Hot’” is packed with trivia about the making of the film, Wilder & Monroe’s relationship on the dwelling and the difficult time Wilder had making the film with his leading lady including footage shot in the 80’s of Wilder and Diamond.

Finally we accept “Memories from the Sweet Sues” featurette with members of the women who played in the band, an interview with Tony Curtis entitled “Nostalgic Peruse Wait On” where Curtis reveals that actor/voice artist Paul Frees did powerful of his verbalize as Josephine because he had trouble reaching the high negate. We also rep the imaginatively titled but unimpressive “Virtual Hall of Memories 3-D Tour” The unique pressbook appears on the DVD as well and we accept reproductions of various lobby cards. Finally we accept previews and the recent theatrical trailer.

Far more impressive than the lackluster previous DVD releases “Some Like It Hot” looks solid in this re-release although the film could ogle a bit more vibrant. The featurettes are, for the most piece, very trustworthy and the compiled commentary track adds loads of trivia (some of which is duplicated in the featurettes) about the making of the film. I do wish that a film historian such as UCLA professor Howard Suber had been keen in some method to relieve provide context for the movie but that’s unbiased personal preference. A stunning release that could have been mountainous with a wee bit more worry on the fragment of Sony/MGM.

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Battle of the Planets Movie Streaming. Product: Battle of the Planets Average customer review: Amazon Price: Sale Price Too Low To Display Click Below To See Amazon Sale Price Add to cart to see discount price@ Availability: In Stock Usually ships in 24 Hours Free Shipping At Amazon

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Get ready to tune in again for excitement, action, and outer location adventure with G-Force: Effect, Princess, Dinky, Keyop, Jason, and 7-Zark-7, “the astounding guardian robot of Center Neptune” in this special 25th anniversary release of Battle of the Planets. Picking up where the “Ultimate DVD Boxed Location” left off, with the next 14 episodes in the series, this 2-disc collection has a running time of 325 min. Full-screen video, Dolby Digital 2.0 Stereo (English, Japanese), and English Subtitles.

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Episodes:

“The Ghostly Grasshopper”

“The Galaxy Girls”

“Curse Of The Cuttlefish Piece I”

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“Curse Of The Cuttlefish Section II”

“Demons Of The Desert”

“Siege Of The Squids”

“Orion, Wonderdog Of Station”

“The Fierce Flowers Piece I”

“The Fierce Flowers Allotment II”

“The Residence Rock Concert”

“Prisoners In Region”

“Victims Of The Hawk”

“Raid On Riga”

“Seals Of Sytron”

Also available September 28th:

Best Of G-Force: 7 episodes featuring Ace Goodheart, Dirk Bold, Agatha June, Hoot Owl and Pee Wee.

BOTP was one of my favourite cartoons as a child. Unfortunatly pricing and a lack of cohesive packaging turned me off to the thought of purchasing this series. But now everything is coming together at the same time, a mountainous imprint and a compact size and a estimable quantity of episodes (14) made this collection very hard to resist. And it includes two episodes that were etched in my mind THE GALAXY GIRLS and THE FIERCE FLOWERS. As an adult the americanization of the series is very annoying, adding an insipid R2D2 knockoff as a narrator and having people say things like “the REMOTE CONTROLLED planes have been destroyed” over and over is honest very lame, WE Net IT NO ONE DIES EVER!!! Overall if the next space is inexpensive and has a edifying amount of episodes i will continue to acquire this series.EP
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American Legends Streaming. Movie Title: American Legends Average customer review: American Legends is available for streaming or downloading. Click Here to Stream or Download American Legends

Disney’s AMERICAN LEGENDS is a compilation of several vast legends of America’s past, celebrating stories of ample men doing mountainous (and not so huge) deeds. The selection of stories is animated, and each has a definitive position in American (and Disney) history. While the stories may be a bit different from what you were told (if you were told them at all, considering most of the heroes are not what one would call politically suitable), all in all, it’s an palatable collection that my family watches about once a month.

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James Earl Jones ties the collection together with live action narrartion putting an true historical context to the proceedings. His delivery and tone strike a balance between serious education and tongue-in-cheek belief.

The first epic is JOHN HENRY, directed and lead arresting by Trace Henn, the animator who brought Jasmine (from Aladdin) and several other major Disney heroes to life. With narration by the expansive Alfre Woodard and a stirring rendition of the “John Henry” song by the Sounds of Blackness Choir, the short is salubrious. From the backgrounds intended to give the feel of folk art and quilting, to the rough animation occasionally showing through (the rough lines haven’t been “cleaned up,” showing the power of the animator’s unusual drawings, and giving it a less “stunning” glimpse), JOHN HENRY is a wonderful short, and the important reason Disney released the collection in the first set.

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JOHNNY APPLESEED (originally from MELODY TIME, a compilation feature released in the early 1950’s) is told and sung by Irish tenor Dennis Day. Some nice animation, including some big stylized moments designed by Disney artist Mary Blair (whose distinctive gape inspired most Disney features of the 1950’s), plus the mammoth “The Lord is Reliable to Me” song, produce JOHNNY a nice treat.

PAUL BUNYAN was released as a short in the early 60’s and features the catchy title song sung by the Mellomen. Mountainous bass narrate actor Thurl Ravenscroft brings Paul’s booming boom to life, and there are some genuinely comical bits based on Paul’s exploits in creating some of our most well-known natural landmarks (Pike’s Peak, Yellowstone Falls, etc.) . Paul is definitely not a hero in this day and age, since his claim to fame is massive deforestation. Oh, for a simpler time.

THE Fearless ENGINEER is the chronicle of CASEY JONES, who really wasn’t very colorful and gained fame for crashing his articulate into another one. The short itself isn’t very fearless (unlike John Henry, who gives his all to reveal humanity can best machinery; Paul Bunyan, who helped distinct the diagram for settlement in the West; or Johnny Appleseed, who helped feed hungry settlers), mostly being an excuse to have Jerry Collona (the stutter of the March Hare in Disney’s ALICE IN WONDERLAND) to do a myriad of voices, abominable puns, and the like. It’s quite inspiring in itself, but not at the level of the rest of the shorts.

There are several reviews here who seize umbrage with suitable problems, but they appear to be getting their titanic tales mixed up (it was Joe Magarac who melted himself into steel, NOT John Henry), and those who idea the release as bit of shrewd marketing by Disney miss the point that Disney had planned to release JOHN HENRY with other brave shorts long before the events of 9/11.

While it is somewhat lacking at the demolish, and could have old-fashioned PECOS BILL (from Beget MINE MUSIC, narrated by Roy Rogers and the Sons of the Pioneers) to perform a really smashig conclusion, on the whole, the collection is kindly, and quite palatable.

This is a fantastic plot for children to learn about American historical figures. My 3 year ancient son was continually entertained by the songs and different animation. It is a must have on our Disney list.
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Stream Stickmen Online. Movie Title: Stickmen Average customer review: Stickmen is available for streaming or downloading. Click Here to Stream or Download Stickmen

They botched this DVD release something fierce, it’s a 4:3 Pan & Scan copy with Dolby 2.0 Surround, while Position 2 and Status 4 got nice 16:9 widescreen release with Dolby Digital 5.1 surround sound, Commentary track, slack the scenes footage and more for HALF THE Stamp!!! 9.99 EUR which is $12.93 at time of writing this.

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If you can import the R2 or R4 version it’s worth it. This version was a disappointment.

I admire the movie, but draw to let me down Monarch Video.

This film was impartial icy, It honest oozed with its have self confidence. never being troubled to do soemthing differnt. Its basically about 3 guys who collect dragged into a Pool competition by some gangster. The 3 main characters are advantageous. The actors all seem to have the x factor especially the main character. you fair cant retain your eyes off him when hes on the shroud. Its silly, slick and differnt. If you liked lock stock or snatch. You will savor this.
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Watch A Passage To India Movie Online. Movie Title: A Passage To India Average customer review: A Passage To India is available for streaming or downloading. Click Here to Stream or Download A Passage To India

This is a comely and exquisitely wrought film, well nuanced and faithful in its adaptation of E.M. Forster’s classic current of the same name. Director David Lean, who had previously directed such cinematic triumphs as “Bridge on the River Kwai” and “Lawrence of Arabia”, outdid himself with this film, which was nominated for eleven Academy Awards and for which Peggy Ashcroft won an Academy Award for Best Supporting Actress, as did Maurice Jarre for Best Fetch.

Set in 1928 colonial India, it is a memoir about racism and esteem. A headstrong and adventurous Englishwoman, Adela Quested (Judy Davis) travels to India to meet her fiance. She is accompanied on her scamper by her fiance’s elderly mother, Mrs. Moore (Peggy Ashcroft), a shapely and righteous woman who, upon reaching India, is appalled at the treatment of the native Indian populace by her beget countrymen. She eventually makes the acquaintance of a very nice Indian man, Dr. Aziz (Victor Banerjee), who is surprised at being treated as a sentient human being by this Englishwoman. During a social ocassion, in which the usual class boundaries were region aside, he again meets the toothsome Mrs. Moore and is introduced to Adela Quested. Enthused by being treated as an equal, he gets carried away and invites them to be his guests on an excursion he can ill afford to a well known, but remote tourist state, the Marabar caves.

It is a hot day and a long plod to these mysterious caves, and Dr. Aziz and Ms. Quested are thrown together more than they ordinarily would have been, setting the stage for a fateful and exclusive turn of events, one that would have sizable personal, as well as political, impact on the parties concerned. It is a collision of East and West and makes for a definitive statement about the nature of the relationship between the native Indian population and the British colonialists. It is a relationship that makes itself most manifest during the telling courtroom scenes, making it a film to be remembered.

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This is a very well acted and compelling film, a top-notch tribute to David Lean’s directorial talents. In this, his last cinematic triumph, Lean leaves a legacy to be remembered, having exacted astounding performances from the star studded cast, including James Fox, Alec Guinness, and Nigel Havers. Victor Banerjee is especially compelling as the establish upon, well meaning Dr. Aziz, while Peggy Ashcroft gives a sensitive and well nuanced performance as the humane and soft hearted Mrs. Moore. Judy Davis is grand as the conflicted Ms. Quested.

The DVD itself is first rate, offering crystal certain visuals that do justice to the breathtaking cinematography. Coupled with crisp sound, this DVD ensures one’s viewing pleasure. It is one well worth having in one’s collection.

When David Lean’s “A Passage to India” opened in 1984, some saw it as a showdown between the glory days of literate legend filmmaking and the “feel-good” ethos of the Lucas/Spielberg popcorn juggernauts. Who better than the director of “Lawrence of Arabia,” “Doctor Zhivago” and “Bridge on the River Kwai” to expose the film school grads how to construct a movie? As always, anything burdened by such mythic expectations is ride to fail (”Phantom Menace” anyone? ) Sadly, I joined the chorus of detractors lamenting “Passage” as a terrible shadow of the “Leanscapes” that catapulted “Lawrence” and “Zhivago” into film history.

Amazing how age softens perspective. A recent viewing of “Passage,” courtesy of Columbia TriStar Home Video’s current DVD, reveals an eloquent adaptation of E.M. Forster’s complex modern about British colonialism in 1928 India and the cultural and sensual abysses that separate men and women, English and Indian, sensualist and ascetic.

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“Passage” tells the fable of Adela Quested (Judy Davis) en route to India to visit her fiancé, Ronny Heslop (Nigel Havers) . Traveling with Heslop’s mother, Mrs. Moore (Peggy Ashcroft, in an Oscar-winning performance), Adela arrives in the city of Chandrapore to glean an alien environment, yet evocative in a blueprint she cannot fathom. Mrs. Moore is similarly captivated by India, but is less than admiring of the treatment of the Indians by their colonial masters, i.e. her peers. One night, Mrs. Moore visits an abandoned mosque. There, she encounters local physician Dr. Aziz (Victor Banerjee) . At first he charges her with blasphemy, entering a holy dwelling improperly. When she assures him that she showed due respect by removing her shoes before entering, the two strike a friendship that might signal some idea between the two cultures.

At a lunch party given by British teacher Richard Fielding (James Fox), who does not section his countrymen’s disrespect for India, Adela meets Aziz for the first time while Mrs. Moore and Fielding protest about metaphysics with Professor Godbole (Alec Guinness, donning yet another disguise for Lean), a Brahmin mystic. Adela is fascinated by Aziz’s juggling of their two societies. In an worry to brand Adela and fit in as more of an Englishman, Aziz impulsively calls for an expedition to the mysterious Marabar caves outside town.

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What at first seems (to both sides) a breach of etiquette turns despicable when Aziz is accused by Adela of attempting to rape her during a visit to one of the caves. Now seen as a political tool by both sides, Aziz’s trial threatens to escalate resentment into outright bloodshed. As everyone tries to solve the riddle of what really happened, Aziz and Adela must obtain some map to rupture away from the societal and cultural maelstroms threatening their freedom.

Adhering closely to the Forster unique, Lean’s screenplay adaptation finds greater interest (and rightly so) in the circumstances that led to the incident as well as the aftermath. Davis’ Adela is repressed and cloistered comfortably within British society. Both Aziz and India arouses her, awakening sensual feelings fine of enlightenment…or destruction. Lean visualizes this conflict with a scene not in the book. When Adela goes bicycling outside the city (Chapter 8), she comes across the ruins of an veteran temple. Almost voyeur-like, she spies the numerous statues of couples having sex. Adela herself almost reaches a fever pitch when wild monkeys literally expel her from their feral sanctuary. The lack of respect that Adela showed in her judgment is a stutter dissimilarity to Mrs. Moore’s deference when she enters the mosque and meets Aziz. Yet Lean gave us the conflict in purely visual terms, no less tall than the match-to-sunrise jump lop in “Lawrence” or the endless wintry tundras of “Zhivago. “Passage” proved a estimable valediction to Lean’s career. Between directing, scripting and editing the film, we watch Lean in complete stammer in his storytelling faculties. Even the final scene, straight out of the book, works better in the film than on the page.

The transfer also succeeds on every level. The 1.85 anamorphic image is rock solid and challenging throughout the presentation. (Politics at the time forced Lean to shoot the film in the more TV-friendly 1.85 aspect ratio instead of the wider 2.35 Cinemascope format. Wait On in 1984, this compromise seemed irascible. Again, after watching the film, I found Lean’s “flat” framing objective as carefully still as anything on his ultra-wide canvas.) The source materials are in terrific shape, as there are no blemishes and defects visible. Colors are rich and colorful but natural. Deep blacks and careful incompatibility control provide honorable detail delineation. Digital and compression artifacts are completely absent.

The Dolby Surround audio plays adequately; to be expected as the sound mix is not particularly flashy to initiate with. Maurice Jarre’s regain, which weaves Hindu music with Cole Porter-esque rhythm, never overpowers the dialogue or sound effects. Surround channel activity is relegated primarily to music gain. French and Spanish mono tracks are also available on the disc.

The main perk of the special features is a fraction entitled “Reflections on David Lean.” While the title implies a testimonial to David by his peers, it’s actually an eight-minute collection of soundbites, shot on video, from David about the making of “Passage” and some thoughts about such collaborators as William Holden and Alec Guinness. There’s no identification of the source or circumstances of the observations, but he’s never less than titillating when talking about the difficulties of shooting in India or how Forster wouldn’t let grant the movie rights because he “distrusted filmmaking.”

Trailers from “Lawrence of Arabia,” “Bridge on the River Kwai,” and “Guns of Navarone” appear on the disc, mirroring the same trailers available on the “Lawrence” DVD. Again, no “Passage” trailer (Did Columbia not compose one abet in ‘84? ) The trailers are letterboxed with decent audio and video.

Check out “A Passage to India.” A thoughtful, unexcited gem awaits you.
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Watch Apocalypse Now Redux Online. Movie Title: Apocalypse Now Redux Average customer review: Apocalypse Now Redux is available for streaming or downloading. Click Here to Stream or Download Apocalypse Now Redux

I’m a hardcore Apocalypse Now fanatic, and this, the unique version of the film, is what made me one, several years ago. Reviewers like to debate endlessly over which version is better, this or the Redux. Personally, I like both, but I score this unusual version to be more surreal, relentless, and, to quote another reviewer, more “perilous.” The fact is, Coppola primitive different shots and edits in the Redux, in some cases diluting the surreal impact of the current. Plus the characters Kilgore and Kurtz near off more strongly in the original; distinct, we gather to peep more humanity from Kilgore in the Redux, but his exit in the unusual is great more memorable, worthy better than the “tossing megaphone into the air” antics as shown in the Redux. And Kurtz is a more distinguished Improper One in the modern version, not powerful more than a shadow.

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What gets me is that, in the press releases that came out with Redux, Coppola claimed that he no longer considered the 1979 version of Apocalypse to be “current.” He felt that, today, it comes off as a rather ordinary film. So he integrated an extra 50 minutes into the movie, to form it more unique. The thing is, the Redux is, if anything, MORE normal than the novel. After all, you accept more character development, a romantic subplot, etc; all the things the current (and new), novel version lacked. The very lack of these things is what gives the novel such a mysterious, risky edge. There is no levity in the fresh, no stealing of surfboards, no Playmates for the PBR crew. Only the black jungle, and the mission.

If it’s moral that Coppola wanted to beget the unusual version even more fresh, then I wonder why he chose to add the Plantation sequence and the Playboy Bunnies escapade. Having seen the Work Print, I know that there is a wealth of material Coppola could’ve archaic. Bizarre? Novel? How about a scene in which Martin Sheen’s Willard, trapped in a bamboo cage, writhes in afflict as the montangnards (and Kurtz’s American soldiers) dance and chant around him, as they sacrifice a pig? Or how about Willard, aloof in the cage, being questioned by Kurtz, who tells Willard that he’s as old as his “colleagues in Washington? ” Or how about possibly the most bizarre scene of all: Dennis Hopper’s Photojournalist being shotgunned to death by Scott Glenn’s character Colby?

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Coppola could have veteran any or all of these scenes to fabricate a truly “new” film, one that would successfully perform a darker film. If anything, the extra scenes in Redux lighten the film’s mood. Coppola could have even improved on the extinguish of the movie. That’s one thing that’s always bothered me about Apocalypse Now. Willard’s hired to kill Kurtz; when he finally does, all he has to do is unbiased travel into Kurtz’s temple, hold out one guard, and then acquire to hacking at Kurtz. It comes off as so easy, you wonder why the Army even bothered hiring Willard. This plight is solved in the Work Print, which features Willard taking on a host of guards, including one unsightly scene in which he spears an American guard who cowers slow a young, Vietnamese boy. Now, if you ask me, that’s more “fresh” than a bunch of French people arguing politics at the dinner table! But unfortunately, Coppola has chosen not to employ these scenes, in either official version of the film.

I don’t intend to mislead, though. I deem the Redux is ravishing, a five-star movie. It expands on the broader themes of Apocalypse Now, but at the same time lessens the impact of the movie itself. After having watched the Redux a few times, I popped the unusual in for the first time in a few years. I was amazed at how the film seemed so different than the Redux, so powerful more psychedelic and surreal. Even the fades and images shown in the beginning and the demolish are different in the unique, more disturbing. And that’s the main contrast between the two versions: the unique is remarkable more disturbing.

I’ll effect with another quote, taken from the web. Which director do you contemplate is better, the Francis Coppola of 1976/1979, or the Francis Coppola of 2001? Of these two very different directors, whose vision would you be more willing to trust?

1/27/09 update: Six years ago I also had a review for the “Redux” DVD here on Amazon. Somehow it’s been removed from the region — it seems Amazon has combined the reviews for the fresh Apocalypse Now DVD release with the reviews for the “Redux DVD” release. And since Amazon has a policy that a reviewer can only post one review per item, it appears that my “Redux” review got the boot. I’ve rescued it from oblivion via a Google cache search; please watch the Comments part, below, for the review.

This review refers to the Widescreen Collection(Paramount) DVD edition of “Apocalypse Now - Redux”……

In 1979’s “Apocalypse Now”, Francis Ford Coppola presented us with a mesmerizing, handsome see at the horrors of Viet Nam. It was a film that looked at the hearts and minds of the soldiers and the effects the brutualities had on them. A heavenly work at the time, you wouldn’t bear it could be any better. But now, more than 20 years later(and well worth the wait), Coppola has seen his vision completed, with the reediting of the film and the addition of previously deleted scenes, to bring us this gift of the even more mesmerizing “Apocalypse Now Redux”.

There is an additional 49 minutes now, and although I don’t feel that every shrimp of it was significant to making this classic film an even better one, there is a novel anecdote here that helps us characterize to the frame of mind of the soldiers. A scene where the boat crew takes time out for a rendevous with the playboy bunnies is one example of that.And although this scene may be a bit of a shocker at first, as it introduces a sexual situtaion where it was previously non exsistent, it gives us a greater plan of what’s going on in their heads. The added scene of the time spent on the French Plantation was again an eye-opener, and the funeral for “Mr. Elegant” also was a welcome addition as it gives us a closure to the closeness we felt to this character. And of course, a slight more time with the insane Colonel Kurtz was enlightning as well (who wouldn’t want to consume a slight more time with any character of Brando’s? ) .

The new film from 1979 received 8 nominations by Oscar, including Best Represent, Director, and a supporting actor nod for Robert(”I esteem the smell of Napalm in the morning”) Duvall. It took home well deserved Oscars for Cinematography(Vittorio Storaro) and Sound.

It stars Martin Sheen as Lt. Willard, who beset with his absorb emotional problems is sent on a perilous mission to “stop” the esteemed Col. Kurtz, played brillantly by Brando, who has now been driven insane by “The Fear” of it all. Willard is escorted into the wilds of Cambodia by a boat crew including a young Laurence Fishburne and Frederick Forrest. You will also collect Dennis Hopper, Harrison Ford, Sam Bottoms,Albert Hall, and Christan Marquand in this astounding cast.

The DVD is beautifully remastered. You won’t miss a thing with the widescreen presentation and the wonderful Dolby Digital 5.1 Surround sound. The colors and sounds of the jungles are captured wonderfully.There are no Special features, but may be viewed with English subtitles is needed. The scene selection does display which are the recent scenes which is quite honorable if it’s been a while since you’ve seen it.

Still can’t choose between the new and the Redux. This film is a esteem in any perform. It’s a fragment of cinematic history that’s probably worth getting both editions if you can. If not, give this one a try. It’s a must for fans of classic cinema.

“Never Gather Out of The Boat”….Lt. Willard….thanks and relish..Laurie

recommended reading:Into the DMZ A Battle History of Operation Hickory, May 1967, Vietnam(spy my review for details)
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Stream Ulysses Movie Online. Movie Title: Ulysses Average customer review: Ulysses is available for streaming or downloading. Click Here to Stream or Download Ulysses

I fully agree with Mr Forsythe from London (Ontario) . If like Mr Maitlin, you assume this movie with the special effects of the 1999, the movie is hokey. But the character, dedication and courage of Ulysse has never been so well portrayed as by Kirk Douglas. Sylvana Mangano doesn’t do distinguished, but she portrayed only too well why a man will fight 20 years to return to her and their son. Anthony Quinn gives a stunning performance as the suitor. The unique version with Armand Assante, while proficient in special effects, doesn’t exploit the richness of characters showned in the multi-european film. I have seen this movie in the 1960 and again this year. It is the same emotion and commitment. This is Homer’s Odyssey. If you have not seen this movie, salvage your hand on the vidéo. This is a film I would gladly seize in VideoLaser disc or the unusual DVD. It is worth the money.

…and that’s putting it mildly! Here Kirk is playing the Greek general Ulysses who spends twenty years away from the bosom of his family, ten at the Trojan War and ten on an ill-fated voyage assist to Ithaca.

Now, when I first came across my brothers watching this video, I couldn’t own my eyes that Kirk Douglas and Anthony Quinn were in such a cheap-looking movie! Nobody else is an actor or actress of any standing, and the production values are not up to Hollywood standards. Most distressing of all, everyone’s dubbed in, including Kirk!

Once I had gotten over all these obstacles, though, I was able to savor the movie. Ulysses’ adventures are recounted as a flashback as he recuperates from amnesia in a outlandish kingdom. We inspect him outwit the Cyclops, go furious from the siren’s song, and lose all track of time while being enchanted by Circe. Intersperced with Ulysses’ strivings are scenes benefit at Ithaca, where Penelope has all she can do to contain onto her absent husband’s throne from would-be usurpers vying for her hand. A current suitor emerges from the pack, played by Anthony Quinn, and he, like Kirk, plays his role straight despite the film’s other limitations. The VERY extinguish, AFTER all the bloodshed in the banquet hall, seems to ruin abruptly with Kirk and Penelope talking very fleet off hide about how they have to gain up for lost time. That looks a small, “We have to give the cameras attend, so let’s ruin it now.”

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Still in all, “Ulysses” will entertain you if you let it; it did wonders for me, my brothers, and a two-year-old who wandered into the room and found the Cyclops really bright.
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Stream Untamed and Uncut Movie Online. Movie Title: Untamed and Uncut Average customer review: Untamed and Uncut is available for streaming or downloading. Click Here to Stream or Download Untamed and Uncut

This DVD has a total of 4 episodes, approximately 35 minutes each. Each episode includes 7 different animal attacks (about 5 minutes per animal attack) . However, most of the 5 minutes per animal attack, is repeated information. It is okay. You rep what you pay for. Episode #1 includes a cobra attack, spinner shark attack, and a contain getting electrocuted. Episode #2 includes a gigantic white shark attack, a man getting hurry over by a mule, and a man getting his head bit by an alligator. Episode #3 includes a cheetah save, a wild elephant, and a skiing dog falling down a mountain. Episode #4 includes an elephant getting electrocuted, a crazy bull, and a baby polar beget caught in a trap.
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Watch Edward Scissorhands Online. Movie Title: Edward Scissorhands Average customer review: Edward Scissorhands is available for streaming or downloading. Click Here to Stream or Download Edward Scissorhands

This fabulous fantasy yarn stars Johnny Depp as a not-quite-real teenager who was built by an eccentric inventor. The archaic man died before he could achieve him, so Edward has knife blades where his fingers would be. A well-meaning Avon lady (Diane Wiest) finds him living alone in his crumbling castle, and brings him home to live with her family, which includes daughter Kim (Winona Ryder) . Edward is naive and disquieted, but so sweet and grand that he soon becomes the darling of the neighborhood. He is smitten with Kim, which angers her bully of a boyfriend (Anthony Michael Hall) .

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Diane Wiest is perfect as the ditsy and always-cheerful mom. Ryder is convincing as a selfish and disagreeable teen. Hall is the villian you treasure to despise. The star, of course, is Johnny Depp. As Edward, he is painfully disturbed and lovelorn; his performance is so heart-wrenchingly lovely that you ache for him in every scene. Covered with white make-up and with only a few words of dialogue, Depp proves he is a very talented actor. The astounding and quite stale Vincent Effect, as Edward’s loving creator, will surely bring a move to your glimpse.

This completely current film blends comedy, fantasy, and romance to build a sentimental fairy memoir that both teens and adults will delight in. It is a heart-breaker; bring your hankie.

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Kona

Every director probably has one movie that he pours fraction of himself into. For Spielberg, it was ET, Lucas had American Graffiti. Here, Tim Burton poured into the soul of Edward Scissorhands the world of an outsider, a creation of an feeble inventor (wonderfully played by Vincent Note) who passes on before he can conclude Edward(wonderfully played by Johnny Depp) . Edward is one day discovered by Peg Boggs, a entertaining Avon lady, who takes Edward home to suburbia, a community of multi-colored houses that could only arrive from the mind of Burton and production designer Bo Welch. Danny Elfman delivers probably his most consuming glean in this report. The DVD looked like it would be incredile with what was announced, but it would have to lose starts for what I thought: 1) Audio commentary by Burton and Elfman: Both of these guys do not talk all the plan through the film, (though it does sound a tiny better than Devlin and Emmerich on ID4’s DVD & Barry Levinson and Tommy LEe Jones on Men In Sunless, who chatter on like inane movie theater patrons) . But most of the time I found myself wondering when they would teach again. Burton probably speaks 12-15 times through most of the movie, but it sounds more like he’s having slight afterthoughts. Elfman’s audio plays after sure music segments are done (his background music plays over the dialogue so we hear outright how it sounds) . 2) Tim Burton thought art: after seeing The Tarzan Collector’s Edition, this was a letdown, with only about 7 pieces of art (5 concepts of Edward, 1 of the Inventor, and 1 of Edward’s status in the mansion’s attic) . 3) The featurette talking about the film is also a letdown, as there is nothing that was reall vital (I was really looking forward to hearing how Stan Winston Studios made the Scissorhands props) . The only cold principal is the interactive menu, made like a pop-up book of the mansion Edward is found in. If you are looking to come by a grand movie, obtain this DVD. If you are into those that promise fantastic extra features, pass this one up.
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Watch Wild America Online. Movie Title: Wild America Average customer review: Wild America is available for streaming or downloading. Click Here to Stream or Download Wild America

I assume the title kind of explains it all really. Three guys going off into the wild of America, on a mission to catch a cave filled with a thousand bears, although being told that they sleep alone, the boys don’t maintain anyone, collect the cave, and have loads of adventures along the arrangement!! Jonathan Taylor Thomas played a substantial fraction in this movie and he really narrated it well too! As I live in the UK, I was lucky enough to spy it while I was in America, I’d always liked Jonathan and Devon’s films, and this was another one I HAD TO HAVE!!! I would also say that this is a titanic film for all the family, only recently has it been released in the UK, but I bought it in America, luckily I have an international VCR. This film is arrangement wintry. I would really reccommend it.

I haven’t seen this movie too often, but I really devour it every time that I do. Why? Because it is bulky of fun, adventure and collected comedy. The acting is astounding, all of the three boys are terrific. However, this isn’t necessarily a movie for younger children-it is geared towards pre-teens and teenagers. There is obscenities, implications, and alcholol exercise that isn’t lawful for everyone.

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But, it is furious up for in the attractive set. I don’t know how powerful of this is honest, but I bask in it unbiased the same.
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